I first saw this homestead (built originally for a movie set) when I was shooting a Midnight Oil film clip in the 1980s. Years later I returned, just to see how the old building was faring. I found it still standing strong, and in this photo I tried to shoot a classic portrait of Outback Australia. It\'s a deceptively simple composition: red dirt, blue sky, a lone homestead and just a touch of landscape across the almost flat horizon. But to me, it says it all. It\'s like a symbol of our pioneers determination, when every day was a battle against the elements and only the tough survived.
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I first saw this homestead (built originally for a movie set) when I was shooting a Midnight Oil film clip in the 1980s. Years later I returned, just to see how the old building was faring. I found it still standing strong, and in this photo I tried to shoot a classic portrait of Outback Australia. It\'s a deceptively simple composition: red dirt, blue sky, a lone homestead and just a touch of landscape across the almost flat horizon. But to me, it says it all. It\'s like a symbol of our pioneers determination, when every day was a battle against the elements and only the tough survived.
Every effort has been made on this Gallery site to accurately represent the vibrant colours of Ken’s images. However, due to differences in computer screens and certain other variations, the images here should only be taken as a guide.
The colour and sharpness of a finished Ken Duncan Limited Edition Print are far superior to what can be presented on a small screen.
Every effort has been made on this Gallery site to accurately represent the vibrant colours of Ken’s images. However, due to differences in computer screens and certain other variations, the images here should only be taken as a guide.
The colour and sharpness of a finished Ken Duncan Limited Edition Print are far superior to what can be presented on a small screen.